afrofuturism
i’ve been to the future—we won.
“Though many of us start off believing that anything is possible, it can be difficult to hold onto that vision of the future, where an individual can be whole, can aspire to greatness outside of the confines or perceptions of reality.
But those practices are essential to the heart of Afrofuturism, a belief in the necessity to strive toward liberation, a generational investment in a society against harmful power structures.
Believe Black protesters when they chant, 'I’ve been to the future. We won.' Because they already have.”
scene one
inspired by carrie mae weems
“Long before I picked up a camera I was deeply concerned with the ways in which African-Americans were depicted, and, for the most part, I didn’t like what I saw. So one way of dealing with it was to step in and rethink how black women, more specifically, need to be represented. That’s been the guidepost; I’m always on that track. And today I was just looking at another woman, somebody I’ve admired, whose music has been a backdrop to my life. Mary, I see you as an extraordinarily beautiful woman who needs to be defined, described, articulated in an authentic way that celebrates the complexity and depths of your beauty and your internal self. From the moment you walked in, I wanted to greet you personally and invite you into a space of welcome with the understanding that I see me and you.”
scene two
inspired by cauleen smith
“What does a really radically generous community and intentional world building look like? We’re generally cynical about ideas around utopia, like ‘oh they never work’ but there have been instances where people have built intentional communities that were really successful.
The only people who are going to save us are us. It is possible to build a better world. It’s possible to be generous. It’s possible to build something that’s not only good for yourself but for others; it’s possible to leave something behind. It’s just possible to make a better world — people do it all the time.”